Posts From Author: alan turing

Curtain Call: No Satisfaction

The lanterns have been trimmed, our log pile has been replenished, and there’s a splendid bottle of red glinting in the firelight. Yep, it’s time for another Seriously Entertaining foray into the best of contemporary writing. The House of SpeakEasy’s next show, No Satisfaction, which hits the City Winery stage on Monday, November 17, aims to provide the exact opposite of what it says on the tin. And we couldn’t be more delighted to welcome Philip Gourevitch, Hooman Majd, Graham Moore, Dan Povenmire and Ruby Wax to help us do so. Join us for more laughs, drama, and intellectual stimulation than you might think possible for a Monday. Tickets here. Philip Gourevitch‘s first book, We Wish To Inform You That Tomorrow We Will Be Killed With Our Families (1998), which tells the story of the Rwandan genocide, is a masterpiece of reportage (we reviewed it here). His later books A Cold Case (2001) and The Ballad of Abu Ghraib (2008) were published to similar acclaim. In this marvellous interview with Paul Holdengräber, he talks about James Brown, Jonah and the Whale, and the ethics of photography. “We often use these words unthinkable, unspeakable, unimaginable,” he says. “They’re supposed to tell us, these are huge subjects… It’s supposed to make them sound […]
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“You know my methods. Apply them!”

The Sherlockian by Graham Moore NY: Twelve, 2010; 368pp Sherlock Holmes, London’s world-famous “consulting detective,” might not have been this popular since his heyday in the late nineteenth century. Robert Downey, Jr., Benedict Cumberbatch and Jonny Lee Miller are all currently essaying the sleuth onscreen; Ian McKellen waits in the wings with 2015’s intriguing Mr. Holmes. Graham Moore, who’s about to experience his first major cinematic success with the Alan Turing biopic The Imitation Game, starring Cumberbatch, was one of the first out of the gate in this latest round of Holmesmania with his 2010 novel The Sherlockian. A book for the kinda people who’d take pleasure in noting the erroneous reference to The Sign of Four in the New York Times review (The Sign of the Four, Janet Maslin!), it’s both a clever pastiche and a gripping mystery. Moore’s inspiration is the question-mark hanging over the lacunae in Holmes creator Sir Arthur Conan Doyle’s real-life papers. Upon his death in 1930, it was discovered that a number of unfinished stories, some letters, and an entire volume of his diary were missing. In The Sherlockian, the key document is the diary, which apparently pertains to the last three months of 1900. This is the period during which, not coincidentally, the writer was toying with the resurrection of his most famous creation, […]
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The Great Unknown: Marcelo Gleiser and the Limits of Science

We must recognise that because of the very nature of human inquiry every age has its unknowables. The question we need to address, then, is whether certain unknowables are here to stay or whether they can be dealt with in due course. Must every question have an answer? — Marcelo Gleiser Picture an island. The ocean, in all directions, stretches to the horizon. The island is what we know and understand of the universe. The ocean recedes and advances unevenly around the coastline as we learn more, subsuming what turned out to be false and revealing new land when a new “truth” is affirmed. This is the central metaphor in Marcelo Gleiser‘s endlessly fascinating The Island of Knowledge: The Limits of Science and the Search for Meaning (Basic Books, 2014). In this free-ranging, accessible account of what we know, how we came to know it, and what we can maybe never know, Gleiser reveals wonders both cosmic and quantum. Although its subtitle, “The Limits of Science and the Search for Meaning,” may sound defeatist, The Island of Knowledge is instead inspiring. It’s a tribute to the extraordinary enterprise of the world’s scientists and philosophers over the last few millennia. It’s a paean to our […]
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