Posts From Author: an american family in iran

Curtain Call: No Satisfaction

The lanterns have been trimmed, our log pile has been replenished, and there’s a splendid bottle of red glinting in the firelight. Yep, it’s time for another Seriously Entertaining foray into the best of contemporary writing. The House of SpeakEasy’s next show, No Satisfaction, which hits the City Winery stage on Monday, November 17, aims to provide the exact opposite of what it says on the tin. And we couldn’t be more delighted to welcome Philip Gourevitch, Hooman Majd, Graham Moore, Dan Povenmire and Ruby Wax to help us do so. Join us for more laughs, drama, and intellectual stimulation than you might think possible for a Monday. Tickets here. Philip Gourevitch‘s first book, We Wish To Inform You That Tomorrow We Will Be Killed With Our Families (1998), which tells the story of the Rwandan genocide, is a masterpiece of reportage (we reviewed it here). His later books A Cold Case (2001) and The Ballad of Abu Ghraib (2008) were published to similar acclaim. In this marvellous interview with Paul Holdengräber, he talks about James Brown, Jonah and the Whale, and the ethics of photography. “We often use these words unthinkable, unspeakable, unimaginable,” he says. “They’re supposed to tell us, these are huge subjects… It’s supposed to make them sound […]
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A Year in Tehran

The Ministry of Guidance Invites You to Not Stay: An American Family in Iran by Hooman Majd NY: Anchor Books, 2014; 272pp “I advise you not to hang around the Americans very much.” This friendly advice, given to the author and journalist Hooman Majd by a doorman at a hotel in Tehran, while he is travelling with a CNN crew, in some ways typifies his experience at the hands of Iranian officialdom. In The Ministry of Guidance Invites You to Not Stay: An American Family in Iran, Majd chronicles the year he recently spent with his (American) wife and baby son living in his motherland. It was the year of what Majd calls Mahmoud Ahmadinejad’s “big sulk;” the Occupy movement; the main events of the Arab Spring. At a fraught political juncture, there is perhaps inevitably a strong Kafkaesque flavor to much of Majd and his friends’ interactions with the police and the government. But while this excellent, concise work of social commentary doesn’t shy away from politics, its fascination and pleasure lie just as much in its gentle revelation of everyday life in Iran. Nostalgia, an insoluble emotion at the best of times, ghosts both what has been and what […]
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