Posts From Author: christopher mason

No Satisfaction

No Satisfaction was a Seriously Entertaining presentation by the House of SpeakEasy at City Winery NYC on Monday, November 17, 2014. It featured the writing and speaking talents of Ruby Wax, Philip Gourevitch, Hooman Majd, Hari Dhillon (who posed this month’s “Tip of My Tongue” quizzers), Christopher Mason, Graham Moore, and Dan Povenmire. “About seven years ago, they asked me if I’d be the poster girl for mental illness,” said Ruby Wax in the opening minutes of the final House of SpeakEasy show of 2014. “I thought it would be a tiny picture… but a month later, there were huge pictures of me all over London.” Ruby, an American comedian who has achieved great success as a comedian in the UK, was in the US for the publication of her latest book, Sane New World: A User’s Guide to the Normal-Crazy Mind. “So I wrote a show,” she continued, “and toured it in mental institutions for two years. I think they liked it. The bipolars used to say, ‘I laughed, I cried…’ These people are my tribe. Because I have serious depression.” Ruby shared a series of revelations with an enthusiastic SpeakEasy crowd. People are out of control, she said, […]
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Curtain Call: Falling For Perfection

How far we’ve come. The House of SpeakEasy opened its doors on a snowy January night with a guest list including Uma Thurman, Andy Borowitz and Susan Orlean. Since then, we’ve featured some thirty of the best and brightest writers in the literary firmament. Tonight, two days after the summer solstice, and with temperatures firmly lodged in the eighties, we’re delighted to feature a super-cool guest list for our season finale. The Daily Show‘s Elliott Kalan, the New Yorker‘s Bob Mankoff, maestro Christopher Mason, poet Jeffrey McDaniel, polymath playwright and novelist Adam Rapp, Barnard College president and writer Debora Spar, and novelist Emma Straub will all take the mic to tackle the pleasures and pitfalls of Falling For Perfection. We’re delighted to introduce them to you… Elliott Kalan has been the head writer at The Daily Show with Jon Stewart since he took over from Tim Carvell in January. “Writing for Jon Stewart… is the number-one job in the world,” he says, and it’s easy to see why. In this presentation sponsored by the Eagleton Institute of Politics, Elliott analyses the use of humour in politics: Bob Mankoff is the cartoon editor at the New Yorker. He recently published an excellent memoir, How About Never — Is Never Good For You?: My Life […]
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The Ink Runs Dry

Borgesian understatement, Nixonian analysis, Putinian philosophy, and a rediscovered Kodak disc camera. The ink, the wine, and the laughs were all flowing at Tuesday’s Seriously Entertaining show as another smashing line-up of writing talent mused aloud on the creative process and the terror that one day the ink might just dry up altogether. Amanda Vaill was first in the spotlight with a tale from her new book, Hotel Florida: Truth, Love, and Death in the Spanish Civil War (Farrar, Straus and Giroux, 2014). When war broke out, the writers who answered the call to arms were all generally afraid that “their ink was running dry”, not least Ernest Hemingway, one of the stars of Hotel Florida, whose writing career in the mid-1930s was far from soaring. “But those who were the new face, the new day,” said Vaill, “were the photographers, the film-makers.” Most famous amongst them were Robert Capa and Gerda Taro, whose philosophy was summed up by Capa’s maxim, “If your pictures aren’t good enough, you’re not close enough.” Capa and Taro are perhaps best known for the image of the “Falling Soldier”, which Vaill contends was a staged shoot gone fatally wrong. Whatever the circumstances, it made their name, […]
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Curtain Call: The Ink Runs Dry

What happens when The Ink Runs Dry? Fortunately, the House of SpeakEasy has a talking cure. We’re delighted to welcome Jonathan Alter, David Gilbert, Christopher Mason, Jay Parini and Amanda Vaill to City Winery for another Seriously Entertaining literary cabaret, taking in tortured geniuses, presidential candidates, messiahs and more. Read on, dear friends, to meet this month’s line-up. Jonathan Alter is an award-winning author, reporter, columnist, and television analyst. A veteran of nine presidential elections, his latest work has dissected the Obama White House, first in The Promise: President Obama, Year One (2010) and most recently in The Center Holds: Obama and His Enemies (2013), which we reviewed here. His other books include The Defining Moment: FDR’s Hundred Days and the Triumph of Hope (2007). Here Alter talks to the Washington Post about The Center Holds. “He’s very clear about needing to be president of all the people, and not the president of Black America. But he doesn’t like to talk about that too much in public… Because he’s African-American, the president can’t swing at every pitch that he wants to. Otherwise he plays into the hands of his enemies…” David Gilbert is the author of two novels, The Normals (2004) and & Sons (2013). The latter, a […]
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Five Minutes with Maestro Christopher Mason

Christopher Mason, who makes his House of SpeakEasy bow on May 20 (tickets on sale here), is an author, journalist, photographer, television presenter, wearer of excellent bow-ties, and singer-songwriter extraordinaire. It’s in this latter capacity that he’ll be entertaining the crowd at City Winery next week, much as he’s previously delighted mayors, senators, princes, duchesses, and Bob Weinstein’s three-year-old son. Literally. This week I spoke to Christopher about his fabulous career. Charles Arrowsmith: You have been called “the premier journalist covering the nether world of high society”. What is it about this milieu that you find particularly fascinating? Christopher Mason: My first job in New York as a transplanted Brit (thirty years ago) was working for George Trescher, a hilariously acerbic PR and fundraising genius, whose closest friends were Brooke Astor, Jacqueline Onassis, and Liz Smith. It was an eye-popping intro to the way power is wielded in New York, and a primer in the triumphs, tragedies, and atrocities of the literate glitterati. I began lampooning them with satirical songs in the late ’80s, then switched to prose, taking some satirical swipes in my feature stories for the New York Times. That led to my investigative book The Art of the Steal (Berkley […]
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