Posts From Author: mozart

Writers and Storytelling: Avi Loeb

Avi Loeb is the former chair of the astronomy department at Harvard University (2011-2020), founding director of Harvard’s Black Hole Initiative and director of the Institute for Theory and Computation at the Harvard-Smithsonian Center for Astrophysics. He also chairs the Board on Physics and Astronomy of the National Academies and the advisory board for the Breakthrough Starshot project, and is a member of the President’s Council of Advisors on Science and Technology. His new book is Extraterrestrial: The First Sign of Intelligent Life Beyond Earth. On March 23rd, Avi will join Mary H. K. Choi, Melissa Febos, and Nic Stone in our next edition of “Seriously Entertaining” where they will each tell stories tied to the theme “From This Moment On.” Register here for the show! What are you reading right now for solace or escape or entertainment? Listening to classical music; mostly Bach and Mozart If you could live inside a fictional world, which one would you choose? Living in interstellar space Are there any quotes you use to inspire you? “When you are not ready to discover exceptional things, you will never discover them” “Reality stays the same irrespective of whether you ignore it”. What writer would you […]
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Some Men Achieve Greatness

Whiplash directed by Damien Chazelle Sony Classics, 2014; 107 minutes A violent game of fuck-you one-upmanship, Whiplash is one of the best American movies of the year. In the red corner is Miles Teller’s Andrew Neiman, a nineteen-year-old jazz drummer with ambitions of greatness. In the blue is Terence Fletcher (J.K. Simmons), a teacher in the R. Lee Ermey mold. Their antagonism plays out in the practice rooms at Shaffer Conservatory, where Fletcher teaches and Andrew is in his first year. Simmons, dressed all in black (the uniform of the jazz savant), is a true teacher-terrorist. He spits racial and homophobic slurs, takes his musicians apart over undetectable shifts in rhythm or speed. He dismisses one trombonist simply because the boy does not know — or is too frightened to say — if he’s slightly out of tune. (He isn’t, but the crime of ignorance is sufficient for Fletcher to cast him out.) He’s exacting but impossible to please because he seems to believe that only a moving target can draw greatness from his players. From their first meeting on, Andrew wants nothing more than to impress him. Andrew’s approach to musical improvement seems to be based on the so-called […]
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Curtain Call: In Case of Emergency

A state of emergency is declared. You fly tonight. What do you take with you? Clothes? Thermos? Hatchet? Naaah: books, of course. Fortunately you know of a safehouse nearby. A safehouse by the name of SpeakEasy. That’s right, comrades, there’s a Seriously Entertaining way out of this crisis. Between our six guests next week, we have everything you need to survive In Case of Emergency. Don’t have your ticket yet? Fear not, there’s still a few left here. Your checklist: 1. Amor Towles. Author of the marvellous Manhattan merry-go-round Rules of Civility, which we reviewed a few weeks back, and its ebook follow-up Eve in Hollywood. Here’s Towles talking about the great American photographer Walker Evans and the genesis of his debut novel: 2. Evie Wyld‘s new book, All the Birds, Singing, was just published in the US. When it came out in the UK last year, the Guardian said that it “should enhance her reputation as one of our most gifted novelists”. We took a look at her debut, After the Fire, a Still Small Voice, earlier this week. In this clip, Wyld reads the opening to All the Birds, Singing: https://www.youtube.com/watch?v=_bn4sDbm3k8 3. J.D. McClatchy‘s new collection Plundered Hearts just came out to ecstatic reviews — the […]
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Plundered Hearts: The Poetry of J.D. McClatchy

Honouring J.D. McClatchy in 1991, the American Academy and Institute of Arts and Letters stated, “It may be that no more eloquent poet will emerge in his American generation.” Since then, his reputation has grown as exponentially as his output. A poet, essayist, librettist — and Professor of English at Yale — McClatchy is certainly one of the hardest-working poets in America. Knopf has kindly published a new collection of his work, Plundered Hearts: New and Selected Poems, providing readers with a perfect introduction to his world. One of the new poems, “Prelude, Delay, and Epitaph”, is as good a way in as any: A finger is cut from a rubber glove And cinched as a tourniquet around my toe. The gouging ingrown nail is to be removed. The shots supposed to have pricked and burned The nerves diabetes has numbed never notice. The toe, as I watch, slowly turns a bluish Gray, the color of flesh on a slab, the size Of a fetus floating on the toilet’s Styx, But lumpen, the blunt hull of a tug slowly Nosing the huge, clumsy vessel into port. McClatchy continues; this is just the “prelude”. But there is much even in this […]
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“Hey Joe, where are you going…?”: Lars von Trier’s NYMPH()MANIAC, Vol. II

SPOILERS throughout! Also, well worth seeing Vol. I, which I reviewed here, before seeing Vol. II, which offers no recap for the uninitiated. NYMPH()MANIAC Vol. II is a fist to the throat, a film raw with despair. It picks up where Vol. I left off, with Joe’s anguish over her sudden loss of sexual feeling, and documents the lengths to which she goes to feed her mania and achieve a sense of wholeness. Vol. II is the evil twin of Vol. I. A.O. Scott in the New York Times wrote that Vol. I is “(relatively speaking) the fun part”. Well, the playfulness and humour are largely gone, replaced with scenes of such deep unpleasantness that one of my fellow audience members was moved to say Damn! five times over the course of the film. Monogamy with Jerôme (Shia LaBeouf) and motherhood have left Joe (Stacy Martin, then Charlotte Gainsbourg) unfulfilled. Her sexual appetites grow more extreme and more niche. She decides at first that she must attempt sex without possible recourse to verbal communication, and manages to procure a couple of African men (Kookie Ryan and Papou) from the street opposite her flat. Still not satisfied, she applies to become the object in a sadomasochistic salon run by the colourless, ascetic […]
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