Posts From Author: simon & schuster

Do The Movies Have A Future?

“Is the theater really dead?” asked Simon & Garfunkel once upon a time. Forty-five years later, and at the height of the movies’ annual silly season, one might well ask the same of the cinema. Whither the great American movie? Whither directors of integrity and vision? Whither criticism? These are the questions David Denby poses in his excellent collection Do The Movies Have A Future? (Simon & Schuster, 2012). It’s mostly reprints of his New Yorker articles but reworked and reordered to orbit his central worries. These include so-called “conglomerate aesthetics”, the notion that it’s “not only possibly but increasingly easy to attract audiences by making movies badly”, the loss of lyricism in the rise of digital cinema, and a decline in ethical seriousness in criticism. Sound grim? Worry not: Denby’s no wallower. Alongside sharp critiques of the movie industry as it currently stands are a series of lucid, sometimes rapturous readings of a selection of the greatest recent American movies, including Capote, The Tree of Life, Winter’s Bone, The Social Network, and (to my mind the best) There Will Be Blood. In the book’s final pages, we even find Denby an unlikely advocate for 2011’s Rise of the Planet of the Apes. This isn’t stuffy stuff; Denby […]
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The Ink Runs Dry

Borgesian understatement, Nixonian analysis, Putinian philosophy, and a rediscovered Kodak disc camera. The ink, the wine, and the laughs were all flowing at Tuesday’s Seriously Entertaining show as another smashing line-up of writing talent mused aloud on the creative process and the terror that one day the ink might just dry up altogether. Amanda Vaill was first in the spotlight with a tale from her new book, Hotel Florida: Truth, Love, and Death in the Spanish Civil War (Farrar, Straus and Giroux, 2014). When war broke out, the writers who answered the call to arms were all generally afraid that “their ink was running dry”, not least Ernest Hemingway, one of the stars of Hotel Florida, whose writing career in the mid-1930s was far from soaring. “But those who were the new face, the new day,” said Vaill, “were the photographers, the film-makers.” Most famous amongst them were Robert Capa and Gerda Taro, whose philosophy was summed up by Capa’s maxim, “If your pictures aren’t good enough, you’re not close enough.” Capa and Taro are perhaps best known for the image of the “Falling Soldier”, which Vaill contends was a staged shoot gone fatally wrong. Whatever the circumstances, it made their name, […]
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How To Win Elections & Maybe Sometimes Influence People: Jonathan Alter on Obama v Romney

The story begins in media res. The Midterms, 2010: in something of a rout, the Republican Party captures sixty-three seats in the House of Representatives, the largest number to change hands since 1948. What honeymoon there might have been for America’s forty-fourth president is definitively over. The Center Holds: Obama and His Enemies, published in paperback by Simon & Schuster this week, picks up the national narrative from here and takes it through to the presidential election of 2012. Jonathan Alter, its author, has covered nine presidential elections and considers 2012 to be “a hinge of history”, “a titanic ideological struggle over the way Americans see themselves and their obligations to one another” in which the battles fought go back “to the dawn of the republic”. Hefty language requires ample support, and Alter’s the writer for the job: The Center Holds is a fantastically detailed account of the 2012 presidential election. Drawing on meticulous research and interviews with more than two hundred people close to the Obama and Romney campaigns, it comes to read almost like a handbook on how (not) to win an election. One by one, Alter ticks off all the major factors that contributed to the eventual outcome while simultaneously driving […]
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