Posts From Author: steven pinker

Steven Pinker On Style

The Sense of Style: The Thinking Person’s Guide to Writing in the 21st Century by Steven Pinker Viking, 2014; 368pp Is it better to err unwittingly or to be all crouching pedant, hidden snoot? This is perhaps a question more of lifestyle than writing style, but one I nevertheless contemplated throughout the happy week I spent surfing the pages of Steven Pinker‘s new writing guide, The Sense of Style. He offers no easy answers — sometimes it’s definitely better to put your foot down; sometimes you’ll end up with egg on your face — but, having read it, I go back out into the world with a renewed sense of purpose and a better-calibrated sonar for the faux pas. Like Pinker, I’ve been known to dip into style manuals for pleasure. I pride myself on being pretty good at spelling, punctuation, and grammar (although I’ve stopped putting that on my dating profile — it turns me off, let alone potential candidates). But with great power comes great responsibility. You can crush someone with a correction, however subtly administered. To point out an error in grammar or punctuation is, to me, no better than to tell someone they look rough today, or to ask them if they […]
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Re Martin Amis

Martin Amis was doubled on Saturday night at the New School. He was appearing as part of the tenth annual PEN World Voices Festival of International Literature, established by his great friend Salman Rushdie, who had a front-row seat for the occasion. Stage left was the real Amis, head cocked and battle-ready; opposite him sat interviewer and critic John Freeman; and between them was actor Anatol Yusef, who spoke only the historical Amis’s words, taken from interviews conducted since the 1970s in Interview magazine. The concept was simple but rather brilliant: Freeman would interview Amis-past and -present interactively, with Amis-present annotating, approving or contradicting his earlier selves. It was fascinating to watch. Starting with The Rachel Papers (1973), Amis’s writing was inevitably compared with that of his father, Kingsley, whose most famous books include comic classic Lucky Jim and The Old Devils, winner of the 1986 Booker Prize. “I still think it delegitimises me in a weird way, having a writer-father,” said Amis-present, who’s written thirteen novels, several collections of short fiction and a wealth of criticism and social commentary. “I’m like Prince Charles, who talks with this sort of ex cathedra authority based on absolutely nothing at all. With me, everyone slightly suspects I got […]
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