Posts From Author: thomas jefferson
Six Degrees of John Guare
MERIWETHER [LEWIS] Never give up the enormity of this dream. Keep telling the lie. The United States will always be the last undiscovered terrain — even if we have to move the white spaces inside our head. Always hold out the promise that you can find your passage to the west, to whatever it is — love everlasting, bottomless wealth, glory — JACQUES CORNET Freedom. MERIWETHER That dream must never die. — John Guare, A Free Man of Color, Act 2 These lines, which arrive at the end of one of John Guare’s most recent plays, could be the perfect epigraph for his collected works. Desire for betterment, self-deluding ambition, holding out on a maybe: these unite Guare’s best-known characters, from Artie Shaughnessy in The House of Blue Leaves (1966) and Sally in Atlantic City (1980) to pretty much everyone in Six Degrees of Separation (1990), his most widely performed play. There are plenty of rogues in Guare’s work — con artists, thieves, drug dealers, aspiring terrorists — but they are defined less by their unsavory pursuits than their mastery of self-deception. His is a poetics of delusion. The House of Blue Leaves, which won the Drama Critics’ Circle Award and the Obie for Best American Play […]
Read MoreBloody Brilliant Michael Friedman
Michael Friedman is the composer and lyricist behind an astonishing range of theatrical output over the last fifteen years. He wrote his first musical for The Civilians, a downtown theatre group he helped co-found in 2001. Canard, Canard, Goose? was also The Civilians’ first show, taking as its subject alleged geese abuse on the set of the Hollywood movie Fly Away Home. The Civilians’ method of working is a little like verbatim theatre in that the shows are based on interviews with real people. What’s different is that the final product is a heightened version of what emerged from those interviews, as you can probably tell from the sublimely silly Canard (the plot of which effectively disintegrates when the Civilians team realises that the movie wasn’t in fact shot in the hamlet where it was set but in Ontario). You can hear the whole show in this podcast recording of the 10th anniversary concert performance at Joe’s Pub. Canard set the offbeat tone for an eclectic career. Friedman went on to write the music for a series of shows, some with The Civilians, some not, including In the Bubble, based on the John Travolta movie The Boy in the Plastic Bubble; the children’s show Katie Couric’s The Brand […]
Read MoreEarth’s Immeasurable Surprise: Simon Winchester on the United States
We’re thrilled at the House of SpeakEasy to be joined for our sold-out opening gala by the British-born historian Simon Winchester, whose work includes books on China, the Oxford English Dictionary, and, most recently, the United States of America… The United States. This unique national quality — of first becoming and then remaining so decidedly united — is a creation that, in spite of episodes of trial and war and suffering and stress, has been sustained for almost two and a half centuries across the great magical confusion that is the American nation. The account that follows, then, is on one level a meditation on the nature of this American unity, a hymn to the creation of oneness, a parsing of the rich complexities that lie behind the country’s so-simple-sounding motto: E pluribus unum. So writes Winchester in the preface to his engrossing, enthralling, enlightening The Men Who United the States (Harper, 2013). Here is encapsulated the glorious freewheeling nature of his working method, more hymnal than forensic, leavened as much with personal experience as names and dates. Many of the reviews of his book have commented on Winchester’s evident love for the US (see the New York Times, the Washington Post and the Telegraph) — the passion, in fact, […]
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