Posts From Author: david lynch

Far From the Tree: Andrew Solomon on How to Love Your Children

If, like me, you saw David Lynch’s Eraserhead at an impressionable age, or The Omen, or you read Lionel Shriver’s We Need To Talk About Kevin, the prospect of parenthood may be haunted by the fear that your progeny turn out in some way aberrant. Read Andrew Solomon‘s Far From the Tree: Parents, Children, and the Search for Identity (Scribner Books, 2012), though, and you will be haunted much more by the word aberrant ever having crossed your mind. Through twelve chapters, Solomon investigates the experiences of parents and children living with deafness, dwarfism, transgenderism, criminality, prodigiousness, autism, schizophrenia, Down Syndrome, severe disability, or a history of rape. “This book’s conundrum,” Solomon writes in the introductory chapter, “is that most of the families described here have ended up grateful for experiences they would have done anything to avoid.” Far From the Tree, a book ten years in the writing, drawing on interviews with more than three hundred families, yielding forty thousand pages of transcripts, progresses steadily towards an understanding of that gratitude. In so doing, it’s a book that might actually change your life. For the most part, Solomon investigates so-called “horizontal” (uninherited) identities. These may include differences of sexuality, physical or mental disability, psychopathy, genius, or […]
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Quantum Mechanics, Walk With Me: On Interpreting David Lynch

Books about film directors fall broadly into three categories: biographical, industrial (behind the scenes), and theoretical. David Lynch, an artist whose experiments in popular surrealism have seen him move in and out of public favour and critical acclaim, is a director whose oeuvre repays thoughtful work in all three. Two new books — Reflections: An Oral History of Twin Peaks, by Brad Dukes (short/Tall Press, 2014), and David Lynch Swerves: Uncertainty from Lost Highway to Inland Empire, by Martha P. Nochimson (University of Texas Press, 2013, recently out in paperback) — are cases in point. Reflections is a dogged book, a remarkable example of what fanatical devotion to research can produce. Dukes tells the story of Lynch and Mark Frost’s game-changing television show (“this sublime mayhem” in Michael Ontkean’s phrase) from the first kernel of an idea through its initial runaway success to its cancellation and the critical savaging received by prequel movie Fire Walk With Me (1992). He’s interviewed dozens of actors, directors and production team members, including almost all the main cast (though Lynch himself is silent). The attention to detail is extraordinary. Casting sessions and individual days of filming are recalled. There’s an interview with the co-founder of COOP […]
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