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Posts From Author: Month: July 2014

Do The Movies Have A Future?

“Is the theater really dead?” asked Simon & Garfunkel once upon a time. Forty-five years later, and at the height of the movies’ annual silly season, one might well ask the same of the cinema. Whither the great American movie? Whither directors of integrity and vision? Whither criticism? These are the questions David Denby poses in his excellent collection Do The Movies Have A Future? (Simon & Schuster, 2012). It’s mostly reprints of his New Yorker articles but reworked and reordered to orbit his central worries. These include so-called “conglomerate aesthetics”, the notion that it’s “not only possibly but increasingly easy to attract audiences by making movies badly”, the loss of lyricism in the rise of digital cinema, and a decline in ethical seriousness in criticism. Sound grim? Worry not: Denby’s no wallower. Alongside sharp critiques of the movie industry as it currently stands are a series of lucid, sometimes rapturous readings of a selection of the greatest recent American movies, including Capote, The Tree of Life, Winter’s Bone, The Social Network, and (to my mind the best) There Will Be Blood. In the book’s final pages, we even find Denby an unlikely advocate for 2011’s Rise of the Planet of the Apes. This isn’t stuffy stuff; Denby […]

Now and Then: Time in Richard Linklater’s Boyhood

Prefatory note: strongly recommend you watch Boyhood without seeing the trailer or doing a Google Image search or anything like that. Probably don’t read this yet either. But the bottom line is, do see it. Blue sky, white clouds, the opening chords of Coldplay’s “Yellow”, the handwritten title (in black): Boyhood. Reverse shot: Mason Jr. (Ellar Coltrane), aged six, lying flat on the grass, his right arm thrust straight up above him, his left hand behind his head, staring up at the sky. What’s in his mind is a mystery, though it becomes clear that he enjoys the incidental pleasures of childhood like any other boy — computer games, graffiti, underwear catalogues, biking through the suburbs, Harry Potter at bedtime. Chris Martin starts to sing: “Look at the stars / Look how they shine for you / And everything you do.” It’s a song about unrequited love, here repurposed, perhaps, as a hymn from director Richard Linklater to his unconventional muse. When I saw Boyhood at BAM, Linklater and Coltrane spoke briefly beforehand, and the director compared casting Mason Jr. to selecting the next Dalai Lama. “What I liked about Ellar,” he said, “was that he kinda didn’t give a shit what you thought. […]

Six Degrees of Reparation: John Paul Stevens Amends the US Constitution

Constitutional law has always been a game of semantics. So it’s a pleasure to discover that former Supreme Court Justice John Paul Stevens’s new book, Six Amendments: How and Why We Should Change the Constitution (Little, Brown, 2014), is so clear in expression and purpose. For many, in these ultra-partisan times, this slight yet impressive book may not tip any balances. But few could find much to criticise in Stevens’s clean, thorough, economical style. Reading Six Amendments is like being taken in hand by the best tour guide in the world as he rehearses arguments for and against, lays out the relevant legal history, and pulls clean the knot of his conclusions. At times his dexterity is almost moving. The book begins with a statement of confidence: confidence “that the soundness of each of my proposals will become more and more evident, and that ultimately each will be adopted.” This is the confidence of a man who recalls Prohibition, the Wall Street Crash, and the Second World War; who has seen now seventeen presidents; and whose ninety-four years make him well over a third of the age of the nation. His sureness will be reassuring to some. But what are his concerns […]

July 2, 2014, WNET — MetroFocus

Listening In: Susan Cheever at the House of SpeakEasy

Falling For Perfection

The curtain rose on a raucous final edition of the House of SpeakEasy’s inaugural “Seriously Entertaining” series last Monday at City Winery NYC. There were cartoons and Muppets, breast pumps and seaside sex scenes, moonlight and music and love and romance. Our guests — seven of them; our biggest line-up yet — made us swoon, made us cry, made us laugh, made us beg for one more glass of wine. First up to the plate was Bob Mankoff, the New Yorker‘s cartoon editor. “Many people have ideas for cartoons,” he told us. “Doctors, lawyers, accountants… They’ll all picture a desert island with two bears talking to a nun on rollerskates. Norman Mailer called in once, wanting to show his cartoons. ‘Well, they’re not exactly cartoons,’ he said. And he was right: they weren’t exactly cartoons. They were later published in the aptly titled Modest Gifts…” Of course it was not always thus. Mankoff, as he explains in his excellent memoir How About Never — Is Never Good For You?, submitted some two thousand cartoons to the New Yorker before he was published. The new generation, he revealed, struggle with the same levels of rejection that he had to deal with. “‘But it’ll make you a better […]