Seriously Questioning…Itamar Moses

Written by Erin Cox

Posted on September 24, 2018

Filed Under: Blog

Itamar Moses is the Tony Award-winning author of the full-length plays The Band’s Visit, Outrage, Bach At Leipzig, Celebrity Row, The Four of Us, Yellowjackets, Back Back Back, and Completeness, and various short plays and one-acts. His work has appeared Off-Broadway and elsewhere in New York, at regional theatres across the country and in Canada, and has been published by Faber & Faber, Heinemann Press, Playscripts Inc., Samuel French, Inc., and Vintage. He is a member of the Dramatists Guild, MCC Playwrights Coalition, Naked Angels Mag 7, and is a New York Theatre Workshop Usual Suspect. He is presently adapting Jonathan Lethem’s The Fortress Of Solitude.

On October 16, he will be speaking at House of SpeakEasy’s Seriously Entertaining show, Forget Me Not, alongside Laura Spinney, Gregory Pardlo, and Joel Rose. We spoke to Itamar ahead of the show.

What is your earliest memory involving reading or writing?

My earliest memories of reading are probably reading children’s books during free time at school. And reading in bed for as long as I was allowed before having to turn off the light. I was a big reader as a kid. My earliest memories of writing are probably stories I had to write in school — which I always liked. Creative work never felt like “work” to me, back then.

What is your favorite first line of a novel?

I’ve always loved the first sentence of The Secret History by Donna Tartt, which — and I’m quoting from memory — goes something like: “Snow was in the mountains and Bunny had been dead for four days before we realized the gravity of our situation.”

What advice would you give to aspiring writers?

Career-wise, I would say learn to treat rejection as neutral and anything short of rejection as enormous encouragement. Be persistent. And put the work first. Artistically I would say cultivate hobbies, things you do for no purpose, only because they stimulate you in some way — don’t try to make everything you do and see immediately “useful” to your work because, paradoxically, this has the effect of choking off the channels of creativity.

What writer past or present do you wish you could eat dinner with?

It’s actually in my experience usually a good idea not to meet your heroes. But the living writer I’ve not met who I most wish I could is probably David Mitchell. Dead ones: too many to name.

What are you reading right now?

At the moment, two memoirs. A memoir about how terrible Hollywood is called Can’t You Get Along With Anyone? by Allan Weisbecker. And I finally got around to starting My Struggle by Karl Ove Knausgard which, spoiler alert, is good so far.

What fictional character do you most closely identify with?

I don’t really do this anymore as much as I used to when I was young. Maybe because by now I’ve based so many characters on aspects of myself that the need is siphoned off.

If you could live inside a fictional world, which one would you choose?

I think we’re all increasingly sure that we already do, right? Though this isn’t the one I would choose.

Are there any quotes you use to inspire you?

The one about just going ahead and beginning things because boldness has magic in it. I like that one. Also, “Don’t let the perfect be the enemy of the good.”


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