Posts From Author: hamlet

Inside the Lie

September 29, 2014. As an amber-violet sunset spread across a CinemaScope sky to the west of Manhattan, the House of SpeakEasy returned to City Winery for the inaugural show of its fall season. Almost three hundred guests gathered to listen, to laugh, to share, and to refill their glasses as six writers — Marcelo Gleiser, Natalie Haynes, John Guare, Gary Shteyngart, Gail Sheehy, and Andrew Solomon — took to the stage to ponder this month’s theme, Inside the Lie. This month’s guest stars? Copernicus, RFK, Oedipus, Sophia Loren’s panties, an uncommon family set-up, a Bavarian porn star… We’ll be posting videos from the show soon, but here’s a sneak preview of what went down when the curtain went up… Marcelo Gleiser: “We matter because we are very rare…” Marcelo Gleiser set the scene in 1543 with the death of Copernicus. The Prussian math genius supposedly died with his newly published masterwork, De revolutionibus orbium coelestium, in his hands, horrified by the preface tacked on by Lutheran nay-sayer Andreas Osiander that essentially discredited all that followed. Copernicus’s theory — maybe the sun… doesn’t orbit the earth? — would of course turn the world upside down (pun). But reversing the cosmic order, especially one which […]
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Comedy = Tragedy + Time: A Chat With Natalie Haynes

You know that bit of clip art your computer used to throw up when you typed in drama? The two classical masks, one happy, one sad? That’s sort of like Natalie Haynes’s career. Not in a bad way, though. Thalia, the Muse of comedy, oversaw her first act — as a hugely successful stand-up (she was the first woman to be nominated for the prestigious Perrier Best Newcomer Award at the Edinburgh Fringe). Now it’s Melpomene’s turn, as the Muse of tragedy, to take over for Act II. The Furies (St. Martin’s Press, 2014), just published in the States, is a clever synthesis of Greek tragic tropes and modern crime fiction, set largely in a pupil referral unit in Edinburgh. (Read my review here.) Her earlier (nonfiction) book The Ancient Guide to Modern Life (Overlook Press, 2011), with its irreverent but perceptive rediscovery of contemporary culture through Greco-Roman eyes, bridged the gap. Natalie was kind enough to drop by the blog for a chat about Sophocles and Mickey Rourke, patricide at school, and the drunks of East Anglia. Charles Arrowsmith: Hi Natalie, thanks for your time. So The Furies is ostensibly a book about what might happen when you mix Greek tragedy with troubled […]
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Can The News Make Us Better?

You’re back at work after a lovely long weekend. You log on to your computer. What’s the first thing you do? Check the news? Read on. In his latest book, Alain de Botton, who has made a career examining how we love, live and work, tackles one of the most ubiquitous yet under-analysed aspects of modern life. The News: A User’s Manual (Pantheon Books, 2014) sets out to expose the essentially weird and hazardous relationship we have with news. De Botton’s concern stems from a simple worry: given that the news is the dominant form of education for the world’s adult population, shouldn’t we be more concerned by its unselfconscious presentation of a simplistic worldview? After all, who hasn’t felt at times that the news is just depressing, unedifying, even boring? It affords us direct access to what de Botton calls “the crucible of human horror” without once acknowledging the flipside (“65 million people go to bed every night without hitting or murdering anyone”). It introduces us to a range of characters enviable for their looks, wealth and fabulous successes, then strikes them down for their hubris. It blows our tiny minds with fiscal stats no more truly comprehensible than the […]
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