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Posts From Author: new york times

Are You For Sale?

Where might you find French resistance fighters, E.E. Cummings, a Broadway critic with a freewheeling approach to life, Bessie Smith singing the blues, and a Wimpy Kid with a passion for Brazilian TV? Only at the House of SpeakEasy… Susan Cheever was first up this month, answering the evening’s main question right off the bat: “E.E. Cummings was certainly for sale!” Now acknowledged as one of the twentieth century’s greatest poets, Cummings wasn’t beneath hawking his poetry round the publishing houses back in the twenties and thirties, even dedicating one poetry collection (No Thanks) to the fourteen publishers who’d turned him down. Last month Cheever published E.E. Cummings: A Life (Pantheon), and it was from this that she took her tale for the night. Cummings had one child, Nancy, from his first marriage, to Elaine Orr. “Everything went well until Elaine fell in love with someone else — a real son of a bitch called Frank McDermott,” as Cheever recalled. Elaine annulled her marriage to Cummings and took the baby with her to Ireland to live with McDermott. “Finally, Cummings didn’t see Nancy any more. And Nancy led a kind of expat princess life, knowing absolutely nothing about her past.” Two decades later, through a series […]

Bloody Brilliant Michael Friedman

Michael Friedman is the composer and lyricist behind an astonishing range of theatrical output over the last fifteen years. He wrote his first musical for The Civilians, a downtown theatre group he helped co-found in 2001. Canard, Canard, Goose? was also The Civilians’ first show, taking as its subject alleged geese abuse on the set of the Hollywood movie Fly Away Home. The Civilians’ method of working is a little like verbatim theatre in that the shows are based on interviews with real people. What’s different is that the final product is a heightened version of what emerged from those interviews, as you can probably tell from the sublimely silly Canard (the plot of which effectively disintegrates when the Civilians team realises that the movie wasn’t in fact shot in the hamlet where it was set but in Ontario). You can hear the whole show in this podcast recording of the 10th anniversary concert performance at Joe’s Pub. Canard set the offbeat tone for an eclectic career. Friedman went on to write the music for a series of shows, some with The Civilians, some not, including In the Bubble, based on the John Travolta movie The Boy in the Plastic Bubble; the children’s show Katie Couric’s The Brand […]

A Thousand Natural Shocks: The Novels of Susan Minot

Susan Minot’s latest book, Thirty Girls (Knopf, 2014), is her first novel in over a decade and a significant departure from her earlier work. The girls of the title are the real-life prisoners of the Lord’s Resistance Army in Uganda captured from their convent school in 1996. Five died in captivity, and the last to escape returned to Uganda in 2009. Thirty Girls has been getting great reviews — the New York Times calls it “a novel of quiet humanity and probing intelligence” and says that “to ignore Minot’s book would be a serious mistake” (read Fiammetta Rocco’s full review here) — and we’re delighted to welcome Susan Minot to the House of SpeakEasy. Minot made her name with work of a less geopolitical hue. Her first novel, Monkeys, published in 1986, was a family saga, of which more below. This was followed by the collection Lust and Other Stories (1989), the historical novel Folly (1993), and the screenplay for Bernardo Bertolucci’s Stealing Beauty (1996). The latter was closely followed by Evening (1998), the opening chapter of which you can read here. In 2002 came Rapture, a novella that deconstructs a doomed relationship. Five years later a movie adaptation of Evening was released starring Vanessa Redgrave and Claire Danes and written by Minot and Michael Cunningham (The Hours). Quoting Hamlet, […]

Earth’s Immeasurable Surprise: Simon Winchester on the United States

We’re thrilled at the House of SpeakEasy to be joined for our sold-out opening gala by the British-born historian Simon Winchester, whose work includes books on China, the Oxford English Dictionary, and, most recently, the United States of America… The United States. This unique national quality — of first becoming and then remaining so decidedly united — is a creation that, in spite of episodes of trial and war and suffering and stress, has been sustained for almost two and a half centuries across the great magical confusion that is the American nation. The account that follows, then, is on one level a meditation on the nature of this American unity, a hymn to the creation of oneness, a parsing of the rich complexities that lie behind the country’s so-simple-sounding motto: E pluribus unum. So writes Winchester in the preface to his engrossing, enthralling, enlightening The Men Who United the States (Harper, 2013). Here is encapsulated the glorious freewheeling nature of his working method, more hymnal than forensic, leavened as much with personal experience as names and dates. Many of the reviews of his book have commented on Winchester’s evident love for the US (see the New York Times, the Washington Post and the Telegraph) — the passion, in fact, […]