Posts From Author: pablo picasso

Reading 2014

Being a collection of disordered thoughts on new writing from the last year or so. There were lots of books about books. I enjoyed Rebecca Mead‘s My Life in Middlemarch (Crown Publishing, 2014) and Joanna Rakoff‘s My Salinger Year (Knopf, 2014), which both fused literary criticism and autobiography into what Joyce Carol Oates called, reviewing Mead, “bibliomemoirs.” “The book was reading me, as I was reading it,” wrote Mead of Middlemarch, locating George Eliot’s greatness in her broad imaginative sympathies. Mead’s is a lovely book, mixing biographical detail about Eliot with an introspective analysis of how her work might be read and re-read on the journey through life (review here). Rakoff’s book, meanwhile, is more straightforwardly autobiographical, recounting the author’s first job in publishing, in which she became a sort of gatekeeper for J.D. Salinger. Until then, she’d not read him (“I was not interested in hyper-articulate seven-year-olds who quoted from the Bhagavad Gita”); but before long, she’s hooked. After a century of literary modernism, its central characters continue to haunt the pages of new work. Kevin Jackson‘s Constellation of Genius: 1922 – Modernism Year One (Farrar, Straus and Giroux, 2013) is novelly conceived, taking 1922 day by day, dropping […]
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Five Minutes with Maestro Christopher Mason

Christopher Mason, who makes his House of SpeakEasy bow on May 20 (tickets on sale here), is an author, journalist, photographer, television presenter, wearer of excellent bow-ties, and singer-songwriter extraordinaire. It’s in this latter capacity that he’ll be entertaining the crowd at City Winery next week, much as he’s previously delighted mayors, senators, princes, duchesses, and Bob Weinstein’s three-year-old son. Literally. This week I spoke to Christopher about his fabulous career. Charles Arrowsmith: You have been called “the premier journalist covering the nether world of high society”. What is it about this milieu that you find particularly fascinating? Christopher Mason: My first job in New York as a transplanted Brit (thirty years ago) was working for George Trescher, a hilariously acerbic PR and fundraising genius, whose closest friends were Brooke Astor, Jacqueline Onassis, and Liz Smith. It was an eye-popping intro to the way power is wielded in New York, and a primer in the triumphs, tragedies, and atrocities of the literate glitterati. I began lampooning them with satirical songs in the late ’80s, then switched to prose, taking some satirical swipes in my feature stories for the New York Times. That led to my investigative book The Art of the Steal (Berkley […]
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1922 and All That: Kevin Jackson’s Constellation of Genius

Let’s try to imagine the reactions of an unprepared, average reader of 1922, content with his beer and skittles and his Kipling. Suddenly, enter a skinny, shabby Irishman and a natty, quietly sinister American between them hell-bent on exploding everything that realistic fiction and Georgian poetry held dear. Enter also Pound, Proust, Freud, Hemingway, Kafka, Matisse, Picasso, Stravinsky, Gershwin, Le Corbusier, Chaplin, Buñuel… The cast list of Kevin Jackson’s marvellous journal of a watershed year, Constellation of Genius: 1922 – Modernism Year One, certainly justifies its title. It was a year bookended by the publications of James Joyce’s Ulysses and T.S. Eliot’s The Waste Land, but to isolate the two would be to cut them senselessly adrift and Jackson wisely immerses us instead in context. He moves day by day, noting the major and minor biographical details of his subjects and the principal political events of 1922, from Mussolini’s rise to power to the Irish Civil War. Letters and diaries are ransacked for their contemporary insights. And there are some great one-liners, too (January 20, Iowa: “Christian K. Nelson took out a patent on the Eskimo Pie”). Here are ten things I learned: André Breton helped Proust with the corrections […]
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