Posts From Author: ts eliot
Jay Parini and the Gradually Realizing Kingdom of God
I emphasize throughout what I call the gradually realizing kingdom of God — a process of transformation, like that of an undeveloped photograph dipped in chemicals. The process itself adds detail and depth to the image, which grows more distinct and plausible by the moment. — Jay Parini, Jesus: The Human Face of God (New Harvest/Amazon Books, 2013) I’d always assumed that I probably knew only the bare outline of “what we know” about Jesus Christ. Born poor in Bethlehem, he’s later hailed as the Messiah; he performs some brilliant miracles and preaches the word of God; he annoys the Romans and is crucified for it; he finally returns from the dead in an act that also betokens the salvation of humankind. But reading Jay Parini‘s new biography, Jesus: The Human Face of God, I realise that the “story” bit is just the beginning. In eight chapters, Parini introduces his ancient setting and takes us through what is known or surmised about Christ from his nativity through to the Resurrection and beyond. Along the way he teases out the many possible interpretations of Jesus’ famous teachings. He ends with a useful discussion of “the evolution of thinking about Jesus”, from Paul’s letters through […]
Read More1922 and All That: Kevin Jackson’s Constellation of Genius
Let’s try to imagine the reactions of an unprepared, average reader of 1922, content with his beer and skittles and his Kipling. Suddenly, enter a skinny, shabby Irishman and a natty, quietly sinister American between them hell-bent on exploding everything that realistic fiction and Georgian poetry held dear. Enter also Pound, Proust, Freud, Hemingway, Kafka, Matisse, Picasso, Stravinsky, Gershwin, Le Corbusier, Chaplin, Buñuel… The cast list of Kevin Jackson’s marvellous journal of a watershed year, Constellation of Genius: 1922 – Modernism Year One, certainly justifies its title. It was a year bookended by the publications of James Joyce’s Ulysses and T.S. Eliot’s The Waste Land, but to isolate the two would be to cut them senselessly adrift and Jackson wisely immerses us instead in context. He moves day by day, noting the major and minor biographical details of his subjects and the principal political events of 1922, from Mussolini’s rise to power to the Irish Civil War. Letters and diaries are ransacked for their contemporary insights. And there are some great one-liners, too (January 20, Iowa: “Christian K. Nelson took out a patent on the Eskimo Pie”). Here are ten things I learned: André Breton helped Proust with the corrections […]
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