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Posts From Author: Month: May 2014

To Rise Again At A Decent Hour

Whatever you think you know is subject to change at my whim. I will not be contained by my news feeds and online purchases, by your complicated algorithms for simplifying a man. Watch me break out of the hole you put me in. I am a man, not an animal in a cafe. Goddamn auto correct. I wrote back immediately. I meant “cage”. — Dr. Paul O’Rourke to Dr. Paul O’Rourke in Joshua Ferris’s To Rise Again At A Decent Hour Dr. Paul C. O’Rourke, D.D.S., is a brilliant dentist but a troubled human being. Searching ceaselessly but fruitlessly for “something” that might be “everything” — God, kids, the gym — his existence is nonetheless dominated by office life and Red Sox games. Joshua Ferris, whose Then We Came To The End won the PEN/Hemingway Award for best first novel, has scored another home run with the excellent, vaguely disturbing satire To Rise Again At A Decent Hour (Little, Brown, 2014). One day, one of Paul’s patients tells him on his way out the office that he’s off to Israel. Not because he’s Jewish, he says, but because he’s an Ulm — “and so are you!” Not knowing what an Ulm is, and […]

Can The News Make Us Better?

You’re back at work after a lovely long weekend. You log on to your computer. What’s the first thing you do? Check the news? Read on. In his latest book, Alain de Botton, who has made a career examining how we love, live and work, tackles one of the most ubiquitous yet under-analysed aspects of modern life. The News: A User’s Manual (Pantheon Books, 2014) sets out to expose the essentially weird and hazardous relationship we have with news. De Botton’s concern stems from a simple worry: given that the news is the dominant form of education for the world’s adult population, shouldn’t we be more concerned by its unselfconscious presentation of a simplistic worldview? After all, who hasn’t felt at times that the news is just depressing, unedifying, even boring? It affords us direct access to what de Botton calls “the crucible of human horror” without once acknowledging the flipside (“65 million people go to bed every night without hitting or murdering anyone”). It introduces us to a range of characters enviable for their looks, wealth and fabulous successes, then strikes them down for their hubris. It blows our tiny minds with fiscal stats no more truly comprehensible than the […]

The Ink Runs Dry

Borgesian understatement, Nixonian analysis, Putinian philosophy, and a rediscovered Kodak disc camera. The ink, the wine, and the laughs were all flowing at Tuesday’s Seriously Entertaining show as another smashing line-up of writing talent mused aloud on the creative process and the terror that one day the ink might just dry up altogether. Amanda Vaill was first in the spotlight with a tale from her new book, Hotel Florida: Truth, Love, and Death in the Spanish Civil War (Farrar, Straus and Giroux, 2014). When war broke out, the writers who answered the call to arms were all generally afraid that “their ink was running dry”, not least Ernest Hemingway, one of the stars of Hotel Florida, whose writing career in the mid-1930s was far from soaring. “But those who were the new face, the new day,” said Vaill, “were the photographers, the film-makers.” Most famous amongst them were Robert Capa and Gerda Taro, whose philosophy was summed up by Capa’s maxim, “If your pictures aren’t good enough, you’re not close enough.” Capa and Taro are perhaps best known for the image of the “Falling Soldier”, which Vaill contends was a staged shoot gone fatally wrong. Whatever the circumstances, it made their name, […]

Curtain Call: The Ink Runs Dry

What happens when The Ink Runs Dry? Fortunately, the House of SpeakEasy has a talking cure. We’re delighted to welcome Jonathan Alter, David Gilbert, Christopher Mason, Jay Parini and Amanda Vaill to City Winery for another Seriously Entertaining literary cabaret, taking in tortured geniuses, presidential candidates, messiahs and more. Read on, dear friends, to meet this month’s line-up. Jonathan Alter is an award-winning author, reporter, columnist, and television analyst. A veteran of nine presidential elections, his latest work has dissected the Obama White House, first in The Promise: President Obama, Year One (2010) and most recently in The Center Holds: Obama and His Enemies (2013), which we reviewed here. His other books include The Defining Moment: FDR’s Hundred Days and the Triumph of Hope (2007). Here Alter talks to the Washington Post about The Center Holds. “He’s very clear about needing to be president of all the people, and not the president of Black America. But he doesn’t like to talk about that too much in public… Because he’s African-American, the president can’t swing at every pitch that he wants to. Otherwise he plays into the hands of his enemies…” David Gilbert is the author of two novels, The Normals (2004) and & Sons (2013). The latter, a […]

Between the Crisis and the Catastrophe: Amanda Vaill on the Spanish Civil War

Spain’s war had become an experimental exercise — which will prevail, fascism or socialism? Whose weapons are stronger, Germany’s or Russia’s? — that the rest of the world was watching with interest. This is “a bleak and terrifying epiphany” for Arturo Barea, an aspiring writer working in Madrid as a press censor for the Republicans during the Spanish Civil War. When the conflict began, in 1936, Europe was shifting gears: those loyal to the Republican government found themselves ignored by a nervous Britain and France while the Nationalist insurgents, led by the ruthless General Franco, were being granted fabulous access to new innovations in warfare from Italy and a swiftly rearming Germany. Barea, realising that Spain was viewed internationally as little more than a test run for what was shaping up to be an even bigger conflict, was understandably put out. He’s one of a handful of characters at the centre of Amanda Vaill‘s superb close-up study of the conflict, Hotel Florida: Truth, Love, and Death in the Spanish Civil War (Farrar, Straus and Giroux, 2014), and although of Vaill’s six protagonists he’s the only Spaniard, it’s his heart that the book’s beats in time with. His confreres on the frontline […]

Five Minutes with Maestro Christopher Mason

Christopher Mason, who makes his House of SpeakEasy bow on May 20 (tickets on sale here), is an author, journalist, photographer, television presenter, wearer of excellent bow-ties, and singer-songwriter extraordinaire. It’s in this latter capacity that he’ll be entertaining the crowd at City Winery next week, much as he’s previously delighted mayors, senators, princes, duchesses, and Bob Weinstein’s three-year-old son. Literally. This week I spoke to Christopher about his fabulous career. Charles Arrowsmith: You have been called “the premier journalist covering the nether world of high society”. What is it about this milieu that you find particularly fascinating? Christopher Mason: My first job in New York as a transplanted Brit (thirty years ago) was working for George Trescher, a hilariously acerbic PR and fundraising genius, whose closest friends were Brooke Astor, Jacqueline Onassis, and Liz Smith. It was an eye-popping intro to the way power is wielded in New York, and a primer in the triumphs, tragedies, and atrocities of the literate glitterati. I began lampooning them with satirical songs in the late ’80s, then switched to prose, taking some satirical swipes in my feature stories for the New York Times. That led to my investigative book The Art of the Steal (Berkley […]

Redaction and Refraction in David Gilbert’s “& Sons”

“All told, or totaled, I would spend a week under A.N. Dyer’s roof, which is how I became a witness, the primary witness despite some feuding claims, to everything that happened.” So writes Philip Topping, the intrusive narrator of David Gilbert’s brilliant & Sons, near the start of the novel, which is due out in paperback from Random House on May 27. A.N. (Andrew) Dyer is an elderly, reclusive, New York-based writer in the vein of J.D. Salinger or Thomas Pynchon. When we first see him, at the funeral of his lifelong friend — and Philip’s father — Charlie Topping, our narrator describes it as “one of those I-was-there moments”, a chance sighting of a rare bird, especially when the famous author stumbles over his eulogy. The majority of the novel’s action takes place in the week that follows the funeral. Philip, recently estranged from his wife, moves in with the Dyers (Andrew and his son Andy) just as the ageing patriarch summons his older children, Jamie and Richard, home from their voluntary exiles in Vermont and California. To make amends or for some darker purpose? Echoes of some of the great-slash-terrible Shakespearean fathers — notably Lear — abound as the plot […]

Don’t Throw Momma From The Train

I, Woodrow Wilson, President of the United States of America, by virtue of the authority vested in me by the said Joint Resolution, do hereby direct the government officials to display the United States flag on all government buildings and do invite the people of the United States to display the flag at their homes or other suitable places on the second Sunday in May as a public expression of our love and reverence for the mothers of our country. So wrote President Wilson on May 9, 1914, a hundred years ago today, marking the institution of Mother’s Day in the US (read the full proclamation here). It came about through the sweat of one Anna Jarvis, moved by her own mother’s death to campaign for wider recognition of the role of mothers in society. Later, as the holiday became increasingly commercial, she came to regret her exertions and mounted a series of spirited attacks on those who sought to exploit it for profiteering or fundraising, including Eleanor Roosevelt. She lost: according to the National Geographic, Americans will spend nearly $20 billion on mom this year. According to Hallmark, it falls behind only Christmas and Valentine’s Day in terms of greetings […]

How To Win Elections & Maybe Sometimes Influence People: Jonathan Alter on Obama v Romney

The story begins in media res. The Midterms, 2010: in something of a rout, the Republican Party captures sixty-three seats in the House of Representatives, the largest number to change hands since 1948. What honeymoon there might have been for America’s forty-fourth president is definitively over. The Center Holds: Obama and His Enemies, published in paperback by Simon & Schuster this week, picks up the national narrative from here and takes it through to the presidential election of 2012. Jonathan Alter, its author, has covered nine presidential elections and considers 2012 to be “a hinge of history”, “a titanic ideological struggle over the way Americans see themselves and their obligations to one another” in which the battles fought go back “to the dawn of the republic”. Hefty language requires ample support, and Alter’s the writer for the job: The Center Holds is a fantastically detailed account of the 2012 presidential election. Drawing on meticulous research and interviews with more than two hundred people close to the Obama and Romney campaigns, it comes to read almost like a handbook on how (not) to win an election. One by one, Alter ticks off all the major factors that contributed to the eventual outcome while simultaneously driving […]

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