Posts From Author: falling for perfection

Curtain Call: Falling For Perfection

How far we’ve come. The House of SpeakEasy opened its doors on a snowy January night with a guest list including Uma Thurman, Andy Borowitz and Susan Orlean. Since then, we’ve featured some thirty of the best and brightest writers in the literary firmament. Tonight, two days after the summer solstice, and with temperatures firmly lodged in the eighties, we’re delighted to feature a super-cool guest list for our season finale. The Daily Show‘s Elliott Kalan, the New Yorker‘s Bob Mankoff, maestro Christopher Mason, poet Jeffrey McDaniel, polymath playwright and novelist Adam Rapp, Barnard College president and writer Debora Spar, and novelist Emma Straub will all take the mic to tackle the pleasures and pitfalls of Falling For Perfection. We’re delighted to introduce them to you… Elliott Kalan has been the head writer at The Daily Show with Jon Stewart since he took over from Tim Carvell in January. “Writing for Jon Stewart… is the number-one job in the world,” he says, and it’s easy to see why. In this presentation sponsored by the Eagleton Institute of Politics, Elliott analyses the use of humour in politics: Bob Mankoff is the cartoon editor at the New Yorker. He recently published an excellent memoir, How About Never — Is Never Good For You?: My Life […]
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Elliott Kalan Has To Be Funny Every Day

Do you watch The Daily Show with Jon Stewart? We watch The Daily Show with Jon Stewart. Do you know who Elliott Kalan is? If not, listen up, hotshot, because Elliott is the head writer on The Daily Show! Jealous? Well, as he told Splitsider.com, “to be completely clear, objectively nothing is cooler than what I’m doing right now”. So you’re right to be. Elliott’s been in the chair since January this year, when he took over from Tim Carvell, who’d gone off to run John Oliver’s new show, Last Week Tonight (a weeklier version of the nightly news, as the ads say). He’s been working on The Daily Show for over a decade, starting as an intern in 2003. (That’s right, fellas: there’s hope! Read this great interview with Co.Create to find out Elliott’s tips for your meteoric rise…) He later became a production assistant, a segment producer, a writer… and now, head writer. Which, by and large, means that he has to be funny every day. And, presumably exponentially more difficult, make sure everyone else is funny every day. No mean feat. On the side, he’s one third of the movie-reviewing trio The Flop House (“a great listen for movie fans“, according to the New York […]
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Wonder Women: Debora Spar on Feminism, Perfection, and Where To Next

Instead of seizing upon the liberation that had been handed to us, we twisted it somehow into a charge: because we could do anything, we felt as if we had to do everything. And by following unwittingly along this path, we have condemned ourselves, if not to failure, then at least to the constantly nagging sense that something is wrong. That we are imposters. That we have failed. — Debora Spar Debora Spar, the current president of the women-only Barnard College, has written a probing-damning-optimistic report card on the state of feminism in the twenty-first century. Wonder Women: Sex, Power, and the Quest for Perfection (Farrar, Straus and Giroux, 2013) is in some ways a two-hundred-and-fifty-page sigh of regret. Spar’s generation is one step removed from the women who read Betty Friedan’s The Feminine Mystique and asked themselves, “Is this all?” Growing up in the 1970s against a backdrop of increased sexual freedom, Charlie’s Angels, and a huge shift in favour of women in the workplace, it was disarmingly easy for Spar’s generation to distance themselves from the widely reported extremities of the women’s movement — Ti-Grace Atkinson insisting that marriage means rape, say, or Shulamith Firestone’s assertion that “pregnancy is barbaric”. The net result for Spar […]
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Adam Rapp: “I don’t think parents take too well to my books…”

Adam Rapp is one of those polymaths you read about. A playwright, novelist, musician, screenwriter, director, basketball player… He’s written a couple dozen plays, including Pulitzer Prize finalist Red Light Winter (2006); The Metal Children (2010), which starred Billy Crudup in its New York premiere; and Nocturne (2001), an icy portrait of grief which prompted Variety to label Rapp one to watch “with keen interest”. His books fall into both the young adult and adult-adult categories. They include The Year of Endless Sorrows (2006); 33 Snowfish, a tale of sexual abuse that the American Library Association chose as one of its 2004 highlights; and Under the Wolf, Under the Dog (2004), which was a Los Angeles Times Book Prize finalist and winner of the Schneider Family Book Award. The Children and the Wolves, published in 2012, is a particularly intense brew. The writing is by turns visceral and tender. Take Wiggins, who emerges as the central character: Sometimes I imagine myself in a pickle jar, floating in science juice. Barely alive with see-through skin. My heart like a little white raisin. But later: I imagine a soul is a little perfect crystal egg floating in your chest. Somewhere deeper than […]
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On Holiday with Emma Straub

Escaping the “melting concrete armpit” of Manhattan is what many New Yorkers will be dreaming of in the infernal months ahead. When the tarmac starts to gleam and descending to the subway becomes a Dantean prospect, a couple of weeks in a Mallorcan villa sounds like just the ticket. You’re in luck! Open Emma Straub’s The Vacationers (Riverhead Books, 2014), and that’s exactly where you’ll find yourself. As elder son Bobby observes, “The Posts were masters of self-delusion, all of them”. But in Straub’s second novel it is the fate of the Post family to have their eyes comprehensively de-wooled. The Mallorca trip was supposed to be a celebration of Jim and Franny’s thirty-five years of marriage, but in the wake of a seismic indiscretion on Jim’s part, that notion has come to seem like “a joke with a terrible punch line”. His career at a men’s lifestyle magazine called Gallant has recently come to an ignominious close after the revelation of an affair with a twenty-three-year-old editorial assistant called Madison. Franny, herself a successful journalist and writer, is devastated. In addition to the prospect of losing her husband, her younger child, Sylvia, is set to depart for college in […]
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“How About Never – Is Never Good For You?” Bob Mankoff on the Joy of Cartoons

If you don’t know Bob Mankoff, reading his memoir, How About Never — Is Never Good For You?: My Life in Cartoons (Henry Holt, 2014), will be a glorious case of friends-at-first-sight. That’s his cheery cartoon self beaming out from the front cover there, and he’s welcoming you to the wittiest party in town: the world of the New Yorker‘s cartoon department. Inside, there’s space for aspiring cartoonists to add their name to the list of dedicatees (a roll-call of every artist ever published in the magazine), while the flap copy promises “732 FOOLPROOF SECRETS TO WINNING THE NEW YORKER CAPTION CONTEST!” It’d be crazy to forgo such hospitality. And as a cartoonist who’s overseen the publication of fourteen thousand New Yorker cartoons — and contributed more than nine hundred — Mankoff is very well placed to show us what he calls “the soup-to-nuts process of cartoon creation, selection, editing, and publishing”. Although billed as a memoir, How About Never is as much a tribute to the art and practitioners of cartooning, and Mankoff devotes generous space to the words and pictures of his colleagues. Raised in the Bronx and Queens, Bob is the son of Mollie and Lou Mankoff, who sound a bit like a nicer version […]
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