Posts From Author: the new york times

Five Minutes with Maestro Christopher Mason

Christopher Mason, who makes his House of SpeakEasy bow on May 20 (tickets on sale here), is an author, journalist, photographer, television presenter, wearer of excellent bow-ties, and singer-songwriter extraordinaire. It’s in this latter capacity that he’ll be entertaining the crowd at City Winery next week, much as he’s previously delighted mayors, senators, princes, duchesses, and Bob Weinstein’s three-year-old son. Literally. This week I spoke to Christopher about his fabulous career. Charles Arrowsmith: You have been called “the premier journalist covering the nether world of high society”. What is it about this milieu that you find particularly fascinating? Christopher Mason: My first job in New York as a transplanted Brit (thirty years ago) was working for George Trescher, a hilariously acerbic PR and fundraising genius, whose closest friends were Brooke Astor, Jacqueline Onassis, and Liz Smith. It was an eye-popping intro to the way power is wielded in New York, and a primer in the triumphs, tragedies, and atrocities of the literate glitterati. I began lampooning them with satirical songs in the late ’80s, then switched to prose, taking some satirical swipes in my feature stories for the New York Times. That led to my investigative book The Art of the Steal (Berkley […]
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Maggie Shipstead’s “Seating Arrangements”

A wedding was always an aphrodisiac, full of temporary pairings driven by vicarious hope. Love was in the air, weak and snappy as static electricity. – Seating Arrangements by Maggie Shipstead (Knopf, 2012) Maggie Shipstead‘s debut novel, Seating Arrangements (Knopf, 2012), is a witty social comedy with an exploding whale at its heart. Set largely over the course of two days preceding a wedding on New England island Waskeke, it assumes the perspectives of a series of characters, mostly control-freak father-of-the-bride Winn Van Meter and jilted younger daughter Livia, as it reveals the emotions that coalesce around the lives of the uptight well-to-do as they come together and fall apart. It’s funny and sharp and unpleasant and relentlessly well observed. Winn is a vigorous fifty-nine, a man for whom “each day was a platform for accomplishment”. Heavily governed by social mores — he thinks somewhat reproachfully of his daughter Daphne as “a pregnant bride, no point in pretending otherwise” — he spends most of the book obsessing over his prospective entry into a posh golf club called the Pequod. (Appropriately, perhaps, his quarry is somewhat elusive.) He’s a patriarch of the old school, imagining and favouring male offspring: “His son would join the […]
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“Hey Joe, where are you going…?”: Lars von Trier’s NYMPH()MANIAC, Vol. II

SPOILERS throughout! Also, well worth seeing Vol. I, which I reviewed here, before seeing Vol. II, which offers no recap for the uninitiated. NYMPH()MANIAC Vol. II is a fist to the throat, a film raw with despair. It picks up where Vol. I left off, with Joe’s anguish over her sudden loss of sexual feeling, and documents the lengths to which she goes to feed her mania and achieve a sense of wholeness. Vol. II is the evil twin of Vol. I. A.O. Scott in the New York Times wrote that Vol. I is “(relatively speaking) the fun part”. Well, the playfulness and humour are largely gone, replaced with scenes of such deep unpleasantness that one of my fellow audience members was moved to say Damn! five times over the course of the film. Monogamy with Jerôme (Shia LaBeouf) and motherhood have left Joe (Stacy Martin, then Charlotte Gainsbourg) unfulfilled. Her sexual appetites grow more extreme and more niche. She decides at first that she must attempt sex without possible recourse to verbal communication, and manages to procure a couple of African men (Kookie Ryan and Papou) from the street opposite her flat. Still not satisfied, she applies to become the object in a sadomasochistic salon run by the colourless, ascetic […]
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The Luminous Uma Thurman

In 1991 the New York Times marked the “earth-shattering news” that Pauline Kael was retiring by interviewing her. The great iconoclast of film criticism, whose put-downs made her unpopular with publicists but delighted readers of the New Yorker for more than twenty years, nevertheless found much to admire in the latest crop of Hollywood stars. She listed among her favourites Tim Robbins, Annette Bening, Uma Thurman, John Cusack and Wesley Snipes. That this is a list of some of the most significant screen actors of the two decades since Kael’s retirement is a testament to her uncannily splendid taste. That it features one of the special guest hosts for the House of SpeakEasy’s opening gala — Uma Thurman — is merely delightful coincidence! On the night of the gala, Uma Thurman will be leading guests through “The Tip of My Tongue”. The Oscar-nominated actress will read out selections from three mystery books, all carefully chosen to reflect the theme of the evening (“Plays With Matches”),  and invite the audience to identify the title, the author, and the decade in which the books were written. The winner will receive signed books from the authors appearing at the gala. Thurman began her acting career at seventeen, four […]
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